“I always intended for Azula to have a redemption arcin the story of Avatar: The Last Airbender. Longer and far more complicated than Zuko’s. She had not bottomed out in the end of season three, she had further to go. At the deepest moment in her own abyss, she would have found: Zuko.
“Despite it all, her brother Zuko would be there for her. Believing in her, sticking by her, doing his best to understand and help her hold her pain that she can no longer hold alone. Zuko – patient, forgiving, and unconditionally loving – all strengths he gained from Uncle Iroh.
“That’s how she would have gotten out, and changed. With the faith and love of someone she had hurt, but who stuck by her anyway. Just as he had been saved by faith and love from someone he had hurt, who stuck by him.
“And I always imagined that after coming out the other side, she would be one of those people who hilariously over-shares her own feelings all the time, and that she would be a bit over-apologetic. Like a Canadian version of Azula.”
– Aaron Ehasz, head writer and co-executive producer of AVATAR: THE LAST AIRBENDER
I’m kind of disappointed that so much Firelord!Zuko content seems to be about how he’s on the verge of falling apart, and how the nation doesn’t respect him and his ministers won’t cooperate with him, and he’s separated from the gaang
And that’s not untrue. Zuko has to run a government that was, a few months ago, ready and willing to burn the rest of the world to ash, and that’s a serious burden to bear, but it’s not hopeless. This is a new time of peace. A new dawn. Where are all my pieces that focus on peace and growth? About Zuko fostering friendly alliances? About Zuko leading by example?
A servant accidentally drops a serving platter of roast duck during a ball. The juice splatters a noble woman’s gown. She backhands the servant across the face and her husband is calling for punishment and people are watching as though it’s some kind of show, because this is the way it is in the palace. Until, that is, the Firelord steps forward and helps the servant to his feet. Zuko asks the shaking man if he is alright. He calls for another servant to help clean up the mess. He tells the noblewoman in a tight voice that she, nor anyone else in these walls, will not raise a violent hand to anyone under his care
Zuko is walking through a city courtyard as he speaks with the Mayor when a young child waddles up and tugs at Zuko’s golden-hemmed robes, curious at the way they catch the light. The guards rush forward and the boy’s parents fall over themselves to offer apologies and beg for forgiveness, and Zuko bends down and picks the child up under the arms, and settles him on his hip. The child reaches for his gold crown settled in his topknot and Zuko laughs and gently pushes his hands away. He gives the boy back to his parents, and says, “There’s no need to apologise. Curiosity is a valuable trait in a young boy. You should encourage his curiosity for life.” And then he sweeps away with the Mayor in tow, as though nothing is amiss, as though his gentle smile and understanding words didn’t rattle these two townspeople more than a reprimand every would
Zuko shifting the nation’s priority away from militarisation, while trying to create new jobs for displaced people, jobs that will help his nation recover. Zuko implementing a new curriculum in schools. Zuko consulting with all kinds of people, like Iroh and Aang, yes, but also other nobles, and common people, and foreign dignitaries, and historical and cultural experts. Zuko bringing culture back to the Fire Nation.
Zuko struggling with his famous temper, but working every single day to be the kind of leader his people can put their trust in. A Firelord that doesn’t strike fear into his people, the people he’s dedicated to protecting. A Firelord that’s very different to his forefathers, who decimated entire cultures, who burned the faces of their sons and cast them out for speaking out of turn.
Zuko being kind and patient. Zuko working hard but slowly, over time, earning the trust and love of his people.
A comic about the different types of attraction one might feel. I saw these descriptions floating around on tumblr and felt compelled to add visuals. They are from a website about asexuality. Although, I think people who are not asexual feel these regularly too. There’s all kinds of attractions for all kinds of people. Enjoy.
